"Some musicians have the rare ability of sending the music they play right to the hearts of their audience. The Boston Chamber Music Society musicians who performed Sunday afternoon in Sanders Theater did just that. How did they do it? Was it their special level of coordination with one another? Was it some deeply shared insight into the music? Was it Marcus Thompson’s initiative of proposing the theme of “Darkness and Deliverance” as a way of probing the scores? Guest artists, pianist Benjamin Hochman and cellist Nicholas Canellakis, joined Jennifer Frautschi and Marcus Thompson seamlessly, communicating and interacting as if they had been playing together for years, conveying layers of unsuspected depth.

The program comprised three gems not often performed, two in C minor, and one nominally in C-sharp minor. Spanning three centuries, all three works marked a compositional point of no return, at the same time outward-looking and expressively expansive. And yes, as performed on Sunday by the BCMS and guests, they delivered gripping darkness and deliverance." -https://www.classical-scene.com  More Information

Ken Urban Wins 2024 Blue Ink Award

As part of the award, Urban receives a $3,000 cash prize, a staged reading directed by Artistic Affiliate Dexter Bullard at American Blues Theater, and the opportunity to further develop his script with our artists.

Composing for 37 Years at MIT

In the intimate but acoustically reassuring Killian Hall, with the cooperation of Collage New Music, the Institute’s Music Department hosted an evening of Peter Child’s recent works.

MTA Associate Professor Emily Richmond Pollock Named 2024 MacVicar Fellow

Role models both in and out of the classroom, Berggren, Campbell, Pollock, and Vaikuntanathan join an elite academy of scholars from across the Institute who are committed to curricular innovation; exceptional teaching; collaboration with colleagues; and supporting students through mentorship, leadership, and advising.

Play It Again, Spirio

A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music