The two-volume set includes two chapters by MIT Associate Professor of Music, Michael Scott Cuthbert giving a new history of the Trecento: Italian music of the fourteenth (and early fifteenth) century. The first chapter resituates the long-studied secular music of Italy in the context of new discoveries from across the continent. The second chapter is a major synthesis of the scattered remains of the once thriving tradition of sacred music during the time of the Great Papal Schism, connecting Italy to neglected traditions in central and eastern Europe.

Ken Urban Wins 2024 Blue Ink Award

As part of the award, Urban receives a $3,000 cash prize, a staged reading directed by Artistic Affiliate Dexter Bullard at American Blues Theater, and the opportunity to further develop his script with our artists.

Composing for 37 Years at MIT

In the intimate but acoustically reassuring Killian Hall, with the cooperation of Collage New Music, the Institute’s Music Department hosted an evening of Peter Child’s recent works.

MTA Associate Professor Emily Richmond Pollock Named 2024 MacVicar Fellow

Role models both in and out of the classroom, Berggren, Campbell, Pollock, and Vaikuntanathan join an elite academy of scholars from across the Institute who are committed to curricular innovation; exceptional teaching; collaboration with colleagues; and supporting students through mentorship, leadership, and advising.

Play It Again, Spirio

A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music